Meet the APRA Ambassadors

Amanda Brown

APRA Member since 1991

As composers and musicians we don't generally have a regular income, superannuation or holiday pay and APRA have sustained me with royalties throughout my musical career.

Additionally, the people at APRA have been incredibly helpful and supportive whenever I have sought advice on a variety of matters ranging from cue sheets to copyright. Composers can be solitary creatures and by holding seminars, events and award nights APRA helps to bring us together and encourages the growth of a real music community.

Ashley Irwin

APRA Member since 1980

When I first moved to Los Angeles I met with representatives from ASCAP and BMI to discuss the prospect of leaving APRA and joining a local American society. While both ASCAP and BMI were prepared to welcome me with open arms, the ASCAP executive asked me, "Why do you want to leave APRA? It's one of the best performing right societies in the world." That was over 20 years ago and I'm still a proud APRA member. Thank you ASCAP!

Brendan Gallagher

APRA Member since 1990

How many part time plumbers do you know? APRA and its reciprocal collection societies around the world allow creative people to make that giant leap of faith where they practice their craft as a full time occupation. So they can do what they are supposed to do, create music, and let a professional society, who has their best interests at heart, administer and protect their intellectual property rights.

Burkard Dallwitz

APRA Member since 1988

APRA has been instrumental in helping me understand and learn about the rights involved in screen music as well as creating a supportive environment that connects me with fellow composers. 

APRA protects and collects. What more could you ask for!

Carl Vine

APRA Member since 1979

I can't imagine any serious composer surviving without the services of APRA and its international affiliates.

Disseminating music involves an increasingly complex web of shifting international relationships, and the collective understanding and competence offered by APRA is unique and indispensable.

Christopher Gordon

APRA Member since 1991

APRA is vital to my financial security. By supporting songwriters and composers across various styles of music through grants, awards and seminars, APRA is an active part of the Australian music community.

David Arden

APRA Member since 1992

For 26 years now I have been a member of APRA. In this time, APRA has worked with me as a storyteller and a songwriter.

By working together with APRA to bring the knowledge of copyright for my work - as a Gunditjmara/Kokatha musician - I can now keep my song living a long time after I’m gone. So then my children and their children can benefit from my storytelling and my musical songlines, pathway of my Gunditjmara/ Kokatha culture.

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Jessica Mauboy

APRA Member since 2008

The music industry can be hard to navigate. To any young Indigenous songwriters out there, do yourself a favour, join APRA.

With APRA helping me, I know my music is protected and I can focus on writing my next album, creating ground breaking Australian urban music and let APRA look after protecting my rights.

APRA is a not for profit organisation: their job is to help songwriters and composers.

APRA will be a great part of your team.

Download poster (pdf)